Interview

Analog electronic design without the trial and horror

Paul van Gerven
Reading time: 6 minutes

Not unlike the arts, analog electronic design often hinges on intuition and sparks of inspiration. Anton Montagne has no qualms about that, but it’s no way to teach the subject. The self-described free spirit has made it his life work to offer a structured approach to analog electronic design, which he teaches in the training “Design of analog electronics – analog electronics 1” and several others.

After renowned physicist Max Planck received the Nobel Prize in 1918, he went on an academic tour across Germany. Wherever he was invited, he delivered the exact same lecture. Over time, his chauffeur memorized the entire thing and asked his passenger: “How about I do the lecture tonight? It’ll be a nice change of pace for the both of us.” That evening Planck sat in the back row, wearing the chauffeur’s cap, witnessing his driver delivering the lecture perfectly. When he was done, a member of the audience stood up and asked a question. To which the chauffeur replied: “I would have never expected such an elementary question from an audience as distinguished as this. I’ll let my driver answer it.”

The humorous story is probably apocryphal, but there’s good reason why it’s still being told today: it makes the important point that there are two different types of knowledge. There’s Planck knowledge, possessed by people who have done the work and have gained true insight, and there’s Chauffeur’s knowledge, possessed by people who learned the talk but don’t really understand what they’re saying.

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